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--感谢华东师大艺术系硕士研究生徐进提供并整理该文资料－洪啸音乐教育工作站--
福建师范大学 硕士论文 导师：郑锦扬
中文摘要 20世纪上半叶中国钢琴音乐的创作尚处于起步与发展的阶段，作品的数量不多，创作技法也相对简单，但是勤劳、智慧的中国作曲家们秉着继承和发扬自身传统音乐的精髓，吸收和融合外来音乐文化之精华这一宗旨，创作出一批具有中国特色的钢琴曲，其中不乏在国际舞台上产生过影响的经典作品，如：《牧童短笛》、《花鼓》等等。这些实践活动为建国后钢琴音乐创作的提供了宝贵的理论经验，也为此后的钢琴音乐创作奠定了发展的基础。本文采用了调查、文献、比较等研究方法，参考了大量的钢琴音乐作品及文献资料，对20世纪上半叶中国钢琴音乐创作进行了初步地整理与考察，重点研究了20世纪上半叶中国钢琴音乐创作的发展阶段及其特征，钢琴音乐中国风格的探求以及伴奏音乐，重奏音乐等问题，目的在于较为清晰地展现这段历史的原貌，明确它在中国钢琴音乐创作发展过程中的重要性，从而有助于我们更加全面地了解中国钢琴音乐发展的历史以及20世纪中国音乐史的全貌。
英文摘要 The creation of Chinese piano music was at its initial and developing stage in the first half of the 20th century. Piano music compositions were few in quantity and its technique was not sophisticated. However, the hard-working and witty Chinese musicians created some piano music pieces with Chinese features, with the intent of inheriting and developing Chinese traditional music, absorbing and compromising the essential things of exotic music culture, among which are some internationally well-known pieces, such as: , . Their practice fed piano music creation after the founding of the new China with some valuable theoretical experiences and laid also foundation for the later piano music creation. This paper makes a brief survey of the Chinese piano music creation in the first half of the 20th century by employing the research methods of questionnaire, documentation and comparison. It makes use of the piano music pieces of that period and the related information. This paper makes an initial survey of the different periods of the first half of the 20th century and their distinctive features and also probes into the different styles concerning piano music as well as the accompanying music and ensembling music with a view to unfold the achievements of piano music creation in this historical period and its importance in the development of Chinese music creation so as to give the reader a bird's-eye view of the historical development of Chinese piano music and the history of Chinese music in the 20th century.
DOI CNKI::CDMD:10394.2.2002.1526 |
