感谢华东师大艺术系硕士研究生徐进提供并整理该文资料---洪啸音乐教育工作站

学位授予单位 武汉音乐学院  
中文关键词 迈克尔•弗里德曼;二十世纪音乐听觉训练;音级集合;教学实践  
导师 刘永平  
论文级别 硕士  
学科专业名称 音乐学  
中文摘要 视唱练耳是专业音乐教育的重要基础,听觉训练是视唱练耳教学的重要组成部分,而现代音乐则是视唱练耳教学中不可忽视的重要内容。本文通过研究美国耶鲁大学迈克尔•弗里德曼教授所著的《二十世纪音乐听觉训练》这一教科书,在对其进行翻译、学习和领会的基础上,将二十世纪音乐的训练内容和科学的训练方式加以分析、归纳和阐述。从而了解了这本教科书的基本情况、整体概要以及音乐实例等总体概况;揭示了其集合理论的主要特点、内容及应用原则;阐明了其音集分组的条件、依据、类型和作用;以及在教学实践中的原则、要求和方式。为视唱练耳学科建设提供了有意义的参考与借鉴。

  
英文摘要 [Abstract] Solfeggio is the foundation of professional music education, and the ear training is an important part of Solfeggio, and contemporary music is an important teaching content which can not be neglected in Solfeggio. This paper is based on the study of a textbook named《EarTraining for Twentieth-Century Music》,written by Micheal L Friedmann, the professor of Yale University in United States. After translating, studying and comprehending this book, the author analyzes, concludes and expatiates the contents and the scientific training mode of Ear training for twentieth-Century Music in this paper, furthermore, the author graspes the general things of this textbook, such as the basic circumstance, whole essentials and music examples, exposes the main character, content and applification principle of the theory of Pitch-class set; illustrate the condition, gist, type and effect of dividing pitch class; elucidates the principle, requests and mode in teaching practice; and provides the meaningful reference for the Solfeggio subject construction.  
DOI cnki:CDMD:11524.2.2005..KDH