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学位授予单位 山东师范大学  

中文关键词 多梅尼科·斯卡拉蒂;西班牙音乐风格;舞曲;吉他;美学思想  

导师 侯康为  

论文级别 硕士  

学科专业名称 音乐学  

中文摘要 多梅尼科·斯卡拉蒂(Domenico Scarlatti 1685—1757)作为意大利籍音乐家，是巴洛克时期在西班牙宫廷任职的最伟大的表演家、作曲家，其人及其音乐创作正受到国际文化领域越来越多的关注。在西班牙生活期间他创作了555首古钢琴奏鸣曲，作品中的精湛技艺和丰富西班牙民间音乐素材在西班牙乐坛占据了特殊地位，享有极高的声誉，为19世纪末期西班牙民族乐派的复兴做出突出贡献。本论文的斯卡拉蒂古钢琴奏鸣曲西班牙音乐风格分析和求证工作分为六个章节展开： 第一章、历史部分：阐述了斯卡拉蒂的生平发展道路、作品的整体风格特征、西班牙巴洛克时期宫廷状况、西班牙音乐历史的发展状况等具体内容，从作曲家所处的历史、地理、家庭、宫廷职位、音乐文化环境进行研究，推论其古钢琴奏鸣曲中西班牙风格的客观性与历史早期性。第二章、柯克帕特里克(Ralph Kirkpatrik)的研究状况：本部分将“斯卡拉蒂研究领域权威”——美国羽管键琴家柯氏的研究成果翻译为中文，并加入作者个人的分析理解，希望为求证斯卡拉蒂作品中西班牙音乐风格提供国际上权威的资料和理论上的支持。第三章、舞曲部分：西班牙作为一个载歌载舞的民族，其民间音乐蕴涵多种舞曲形式，本部分将民间舞蹈体裁作为分析对象，将斯卡拉蒂古钢琴奏鸣曲中的舞曲语汇进行整理，与西班牙民族乐派、欧洲其他国家音乐家的作品进行对比研究，重点以节奏模式为主展开分析，阐明了西班牙民间舞曲体裁对作曲家的影响。第四章、吉他部分：吉他作为西班牙民族的骄傲与代表，曾激发了历代音乐 家的灵感与激情，斯卡拉蒂作品中的吉他技术丰富多彩，是其表现西班牙特征的重要方面，本部分整理出奏鸣曲中与历代吉他大师的作品及吉他基本技术的对比研究，为本论文的研究目的再次提出西班牙音乐风格的支持。第五章、其他西班牙风格创作手法的具体研究:本章根据传统音乐分析的方法，将作品中富有西班牙风格的旋律、节奏、音阶·和声、调式调性、曲式进行整理，全面挖掘西班牙音乐风格在斯卡拉蒂奏鸣曲中的存在。第六章、斯卡拉蒂奏鸣曲中西班牙音乐风格的美学意义:本章着重阐述作品中西班牙音乐风格的美学思想根源，以便更深入彻底的探索其内在审美教育价值、艺术研究价值，及其对后世音乐领域、现代艺术思潮发展的重大意义。  

英文摘要 Italian composer Domenico Scarlatti worked in Spain as a royal musician during Baroque era. Both he and his works have attracted researchers interests globally. His 555 keyboard sonatas expanded the technical and musical possibilities of the harpsichord and substantially contributed to the rise of Spanish music in the late nineteenth century. The purpose of this research project has been to investigate and analyze the Spanish music style presented in the keyboard sonatas of Domenico Scarlatti. The study has been developed in the following six sections. Chapter 1. History. This section introduces the life of Scarlatti, features of his works, Spanish royal house in Baroque period, and development of Spanish music. By evaluating the historical, geographical and musical environments, as well Scarlatti's family and social roots, this thesis proves the existence of Spanish styles in Scarlatti's sonatas. Chapter 2. Research of Ralph Kirkpatrick. In this section, the work of Ralph Kirkpatrick, who was the authority on the Domenico Scarlatti study, has been translated into Chinese. In addition, the view of author is included in support of the evidence of existence of Spanish influence in the keyboard sonatas. Chapter 3. Dance music. Spain as a nation enjoys singing and dancing, including various types of folk music. Using folk dance as the study object, this section compares and contrasts dance music terminologies in the keyboard sonatas of Domenico Scarlatti to those in sonatas of other Spanish and European composers. Emphasizing on rhythm models, this thesis shows the effects of Spanish folk dance music on Scarlatti's works. Chapter 4. Guitar. Guitar, the symbol of Spanish music, has inspired composers for generations. The works of Scarlatti showcase various guitar technologies, which are significant features of Spanish music. This section forms a comparative study of Scarlatti's sonatas and the works of other guitar composers in history to support the finding of Spanish style in Scarlatti's music. Chapter 5. Research on other techniques of Spanish style. Based on conventional methodologies applied in music study, this chapter breaks down the features of Spanish music (cantus, rhythm, scale and melody) and attempts to discover the presence of Spanish influence on a comprehensive scale. Chapter 6. Artistic significance of Spanish style in the sonatas of Domenico Scarlatti. This section introduces the artistic origin of Spanish features in the sonatas. Furthermore, it probes the artistic value of Scarlatti's sonatas in musical social functions, classical arts, social education, artistic study, and on music production afterwards.