--感谢华东师大艺术系硕士研究生徐进提供并整理该文资料－洪啸音乐教育工作站--

学位授予单位 西南师范大学  

中文关键词  

导师 文思隆  

论文级别 硕士  

学科专业名称 音乐学  

中文摘要 合唱音乐这种形式是20世纪前后，随着西方资本主义国家在政治、经济、 军事、文化等各方面大肆入侵中国而传入的。清末民初，中国产生了第一首以西 洋作曲技法创作的中国合唱音乐作品。自此，中国合唱音乐创作开始了缓慢的发展。中国合唱音乐的创作是西方复音音乐文化进入中国、与中国音乐文化融汇的 开端。到20世纪30～40年代，由于中国社会音乐活动的蓬勃兴起、中国专业音 乐教育的发展以及时代精神的召唤，中国合唱音乐创作进入了一个空前繁荣的新阶段。作品的题材范围、思想性、艺术性等都有了一个质的变化。本文考察了“合 唱音乐”这种西方音乐文化形式在中国的产生与发展过程，并分析、研究了20 世纪30～40年代中国合唱音乐作品的一般性形态特征。 全文共分两个部分。第一部分主要从“中国合唱音乐的产生”、“中国合唱音 乐的发展”以及“合唱音乐创作队伍的形成与发展”三方面考察了合唱音乐这种 西洋音乐形式传入中国后，在中国的发展历程；论文的第二部分“20世纪30～40 年代中国合唱音乐作品的创作思想”、“作品的题材内容”、“作品的音乐特征”三 方面重点分析了20世纪30～40年代中国合唱音乐作品的一般形态特征。该时期的合唱音乐作品首先是在风起云涌的抗日战争中诞生的，其创作的主旨是让新音 乐“作为争取大众解放的武器，表现、反映大众生活、思想、情感的一种手段，更担负起唤醒、教育、组织大众的使命……”（吕骥）。实际创作中，在“为艺术 而艺术”观点下产生的作品也不乏其例；创作技法方面，“全盘西化”与“取彼 之长，补己之短……学西洋好的音乐方法……产生民族化新音乐”（黄自）的观 点体现非常明显。 20世纪30～40年代的中国合唱音乐创作实践表明：时代性、思想性与艺术性是作品的灵魂，是作品具有生命力的根本保证。作为社会文化的反映与代表， 优秀艺术作品的另一重要要素是具有鲜明的民族性。  

英文摘要 As west capitalism countries inbroke China in politics,economy,military affairs,culture and so on,The form of chorus was spreaded to China about 20 century.At the end of Qing dynasty and the beginning of Republic of China,the first chinese chorus works produced by west melodizing technique came into being. Cinese chorus composition was the beginning of western poly-voice musical culture spreading into China and integrating with Chinese musical culture. During 1930抯 to 1940抯,for the rising of Chinese social music movement, the development of the professional musical education and the summon of time spirit,the production of chinese chorus developed to a flourishing new phrase that never appeared before.The theme range ,idea and artistry of chorus works all have a change in quality.This article will review the occuring and developing process of chorus ,a kind of western musical cultural form and analysis and study common form character of chinese chorus works during 1930抯 andl94O抯. This article has two parts.The first part mostly review the develope process of chorus in China after it spreaded to China from the coming into being of chinese chorus,the development of chinese chorus and the forming and development of chorus composition group.The second part mostly analysis the common form characters of chinese chorus works from 1930抯 to I 940抯.This analysis include the compositive idea,theme and content and musical character.Dunng this period ,chorus works come into being from violent anti-Japanese war.The compositive theme was letting 搉ew music 揳s weapon striving for the people抯 revolution ,means representing and reflecting the people抯 life,idea,feeling ,even take on mission that summon, educate and organize the people (Lv Ji)during practical composilion,many works produced under 揳rt for art 搗iewpoint.On the skill of composition,the viewpoint that 搘esternize completely and 搕aking others virtue ,remedying oneself抯 shortcoming study western good music skills,produce 憂ationalizing new music挃 (Huang Zi) embodied much distinctly. The chinese-chorus compositive practice during 1930抯 to 1940抯 indicates that era ,idea ang art are the spirit of works,and the basic guarantee of the works抳itality.As the reflection and representation, another important factor of excellent artistic works is brilliant nationality