湖南师范大学 硕士论文 指导教师：周跃峰

中文摘要 近百年来随着我国整个新文化、教育事业的发展,中国的合唱音乐已在我国各类音乐创作表演中,以及在我国各阶层人民音乐生活中占有愈来愈重要的地位。大量事实证明,我国各阶层人民群众,特别是大、中、小学校的学生对合唱艺术尤为喜爱。她作为音乐教育中最具广泛性、群众参与性和社会性的独特艺术形式,在普及和提高学生的综合素质教育过程中,发挥着重要的作用。普及和提高女声合唱水平,不但丰富了合唱的组织形式,提高了合唱水平,而且适应了新世纪学校教育的发展模式,成为推广“素质教育”的最有效途径之一;同时,对其进行深入研究,可迅速与国际接轨,拉进差距,推动民族合唱事业向着其巅峰不断前进! 本文拟采用整体综合研究的方法,主要从三个方面进行探究。全文共分三章。第一章主要论述了中国当代女声合唱的形成和发展;第二章主要总结了中国当代女声合唱作品所具有的独特的特征;第三章是笔者通过反复实践和不断学习而总结出的中国当代女声合唱表演的主要艺术特征。本文的创新之处在于通过分析中国当代女声合唱的发展、作品创作、表演艺术特征等方面来挖掘其内涵,将女声合唱的推广这种音乐现象同产生它的文化相联系,从特定文化模式中提炼出中国女声合唱音乐的审美意蕴,使民族合唱的发展获得深度和卓越的成效。

英文摘要 With the development of Chinese new culture and the cause of education over the past a hundred years, chorus music in our country has been playing a more and more important role in the composition of types of music as well as in life relating to music for people from all walks of life. Countless facts have proved that people from all walks of life in our country love the art of chorus, pupils, middle school students and college students in particular. As a distinctive artistic form with widespread influence and mass participation, chorus as an art is now playing an important role in the process of developing and improving comprehensive qualities of students. The popularization and improving of the level of female chorus not only enriches chorus as an artistic form but also keeps abreast of the pattern for school education in the new century, making it one of the most effective approaches in popularizing quality-oriented education. Moreover, a through study on it can narrow the gap between our national undertaking of chorus and that of foreign countries, keeping it in line with international chorus music and pushing it forward to the peak of its development.The thesis attempts to apply an overall and comprehensive approach to study the artistic features of contemporary female chorus in China from three aspects. The whole thesis is divided into three chapters. The first chapter mainly discusses the formation and development of Chinese contemporary female chorus. The second chapter mainly analysis the distinctive features of contemporary female chorus. The third chapter is the author's summing-up of the artistic features of Chinese contemporary female chorus, based on repeated practice and constant study.The creative point of the thesis lies in the study on the connotation of female chorus through the analysis of its development, composition features and artistic features of performance. Thus we integrate the publicity of female chorus with cultures relating to it and refine the aesthetic implication of Chinese female chorus music from specific cultural  

DOI CNKI::CDMD:10542.2.2005.2883